What should I do during a dry spell?

“Summer Light”
15×11 Plein Air Watercolor

What Should I Do During a Dry Spell?

Since I haven’t posted for a while (I’ve been painting a lot and will do better), I’ll try to make up for it by giving you my thoughts about some things which I think are important.

What is a “dry spell?” I’m referring to what can be several different things here. One dry spell could be burnout or “painter’s block” when nothing inspires you to paint. Another, for plein air painters, could be that it’s too darn hot to go out and paint and everything is either green on green on more green, OR all brown and burned up! No color – that’s not inspiring. Another dry spell could be that you’re not selling and you don’t need any more paintings piling up if you aren’t selling what you have.

Let’s take a positive approach to combat this dry spell and do something to improve your painting! The first thing I think of is to get out of your comfort zone by trying something new. I’m not an “experimental” person myself and don’t do things too much out of the ordinary, but one thing that comes to mind that REALLY improves your skills is to use a limited palette on a whole painting. Choose one red, one yellow and one blue (plus white if you are doing an oil) and mix every color in the painting out of those three. You might have disastrous results at first because a.) you need more practice in mixing some of the colors or b.) you might need to change one of your primaries because it might not mix as well as another one does and could give you some ugly colors. You have to find this out! “Summer Light” above (click on the painting to enlarge)  was painted using one red, one yellow and one blue. It’s FUN, it’s CHALLENGING, and it’s REWARDING when you accomplish something like this. Now I’m starting to add a few of my “favorites” that are not primaries at the VERY END IF NEEDED. The color unity is already in the painting from using three colors. I sometimes add my favorites, burnt sienna and viridian green (neither one being a primary) to get a little more variety in my greens, for instance.

Another thing I’d recommend is trying to perfect your “working method.” What works and what doesn’t work best? Now you have time to experiment and find out the best way YOU work. Example: Right now in plein air oils I’m experimenting with doing a really wild and colorful underpainting. My theory is that these colors will show through a bit and always influence whatever is put over them. In my next blog post (soon) I’ll show one of these. To further challenge myself, I’m using a limited palette also on these paintings.

Using a limited palette is much easier outdoors – paint tubes add weight, and sometimes you have to “pare down” when walking any distance. Also, you can mix any color from the three primaries that you need.

I hope this has given you some ideas. I’ve been working on this underpainting thing day after day after day. It’s called practice!

When the economy is down and galleries aren’t selling well a goal could be to get better at what you’re doing and start stockpiling some awesome work for when things do start selling!

Hope you’ve enjoyed this post and I’m sorry I got so wordy! One last thing, this isn’t an aspen painting, but I’m very happy to have gotten my third painting accepted into the American Impressionist Society Juried Exhibit! “Leaving Moab” is below:

Bye until next time! Be sure to check my web site for new paintings I’ve added: http://www.cecyturner.com