Here I rearranged the logs while painting this on location. The bottom one “swoops” you right into the picture and immediately points you to the major aspen. Then the log to the left of the “main star” aspen allows your eye to travel to the group of aspens to the left, and the log on the extreme left points you back in to the picture. Notice how the log on the left is highlighted nearest the aspens and more “lost” as it goes out of the painting for less contrast there.
“End of Summer Greens – Endo Valley” 11×14 Plein Air Oil
I see a lot of paintings where students have set up a “roadblock” to the eye instead of planning how to lead into and around the painting. Think of a zig-zag or S-curve (I think these are the two easiest ways) and set it up yourself, even if it isn’t already there, which it probably won’t be. Next blog will explore other ways to lead into and around the painting. Hope you have enjoyed my blog, and, remember that you can click on the painting to enlarge it.