Sometimes we need to add a few things that are missing in a landscape painted plein air (on location, or, in French, “in the open air”). One of the most important things is some shapes to lead the viewer through the painting. Notice in the foreground the dark shape of the grass that begins at the bottom and kind of zig-zags to the left, then to the right and “happens” to end up at the major aspen. That wasn’t there – I added it, and also the small rocks that lead up to the aspen. I completed this little watercolor (approximately 10×7″) last week in Rocky Mountain National Park.
Notice, also, the shapes of the foliage:
“A good shape is two different dimensions (longer than it is wide)
placed obliquely on the page (not completely horizontal or vertical)
with interlocking edges.”
The interlocking edges part means that the edge of the shape kind of interacts with the background like pieces of a puzzle – they don’t just boringly meet each other in a lot of hard, straight lines. Notice how the aspen foliage in “First in Line” follows this definition. The masses of foliage are also, for the most part, different sizes. :>)
Hope you’ve enjoyed this post as much as I have enjoyed writing it!